The Last Days of Pompeii by Edward Bulwer-Lytton
When Karl Briullov unveiled his monumental painting of the doomed city in Milan, he offered viewers a frozen moment of impending catastrophe. Edward…
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When Karl Briullov unveiled his monumental painting of the doomed city in Milan, he offered viewers a frozen moment of impending catastrophe. Edward Bulwer-Lytton, upon seeing it, sought to breathe life into that silent tableau. The result, published in 1834, was a work that did more than recount a disaster; it established the very architecture of historical fiction. We often remember the author for a famously mocked opening line, yet this novel demonstrates a profound command of atmosphere and moral inquiry. It juxtaposes the hedonistic decay of Roman society against the spiritual clarity of emerging faiths, using the looming shadow of Vesuvius as a metronome for human vanity. The narrative invites us to walk the sun-drenched streets alongside Greek nobles, Egyptian priests, and a blind flower girl whose inner sight outshines the visual spectacle around her. As you listen and follow the text, consider how Bulwer-Lytton transforms archaeological detail into a meditation on mortality. The eruption is not merely a backdrop but a moral reckoning, stripping away social pretense to reveal the core of character.
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Public domain & narration
The Last Days of Pompeii was first published in 1834. Works first published before 1931 are in the public domain in the United States, so the text is free to read, share and adapt. The edition shown here comes from Project Gutenberg, which publishes only books that are in the US public domain.
The narration is the LibriVox recording read by 12 volunteer readers, including Ric F, Ann Boulais and BenW. LibriVox volunteers dedicate their recordings to the public domain.
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Chapters
- Book 1, Chapter I (6:31) · watch
- Book 1, Chapter II (26:06) · watch
- Book 1, Chapter III (40:31) · watch
- Book 1, Chapter IV (21:33) · watch
- Book 1, Chapter V (16:36) · watch
- Book 1, Chapter VI (27:34) · watch
- Book 1, Chapter VII (20:43) · watch
- Book 1, Chapter VIII (30:55) · watch
- Book 2, Chapter I (20:15) · watch
- Book 2, Chapter II (11:33) · watch
- Book 2, Chapter III (14:01) · watch
- Book 2, Chapter IV (30:11) · watch
- Book 2, Chapter V (14:04) · watch
- Book 2, Chapter VI (14:09) · watch
- Book 2, Chapter VII (11:32) · watch
- Book 2, Chapter VIII (29:19) · watch
- Book 2, Chapter IX (28:29) · watch
- Book 3, Chapter I (13:08) · watch
- Book 3, Chapter II (19:56) · watch
- Book 3, Chapter III (20:08) · watch
- Book 3, Chapter IV (24:43) · watch
- Book 3, Chapter V (14:05) · watch
- Book 3, Chapter VI (15:55) · watch
- Book 3, Chapter VII (14:06) · watch
- Book 3, Chapter VIII (14:10) · watch
- Book 3, Chapter IX (24:26) · watch
- Book 3, Chapter X (18:28) · watch
- Book 3, Chapter XI (16:55) · watch
- Book 4, Chapter I (6:09) · watch
- Book 4, Chapter II (21:04) · watch
- Book 4, Chapter III (30:05) · watch
- Book 4, Chapter IV (13:10) · watch
- Book 4, Chapter V (14:57) · watch
- Book 4, Chapter VI (26:52) · watch
- Book 4, Chapter VII (24:51) · watch
- Book 4, Chapter VIII (16:25) · watch
- Book 4, Chapter IX (5:48) · watch
- Book 4, Chapter X (11:55) · watch
- Book 4, Chapter XI (9:51) · watch
- Book 4, Chapter XII (10:20) · watch
- Book 4, Chapter XIII (16:06) · watch
- Book 4, Chapter XIV (5:35) · watch
- Book 4, Chapter XV (16:50) · watch
- Book 4, Chapter XVI (16:15) · watch
- Book 4, Chapter XVII (34:48) · watch
- Book 5, Chapter I (25:42) · watch
- Book 5, Chapter II (38:11) · watch
- Book 5, Chapter III (5:05) · watch
- Book 5, Chapter IV (21:57) · watch
- Book 5, Chapter V (9:28) · watch
- Book 5, Chapter VI (11:02) · watch
- Book 5, Chapter VII (12:17) · watch
- Book 5, Chapter VIII (8:54) · watch
- Book 5, Chapter IX (11:24) · watch
- Book 5, Chapter X (6:25) · watch
- Book 5, Chapter The Last (13:08) · watch
Full text
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